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Amber Fillerup Clark of Barefoot Blonde. Her work proposes alternative mythologies, and new ways of engaging with traumatic historical material.
Walker uses historical decorative styles including the silhouette to create complex and sophisticated narratives, emphasising and undermining the ways in which images and narratives can be subject to stereotyping.
The centrepiece of the exhibition is a cut paper installation and large scale photographic wallpaper piece, the latter made in collaboration with photographer and filmmaker Ari Marcopoulos.
The mountain and the park that bears its name have had a chequered history. In Stone Mountain was declared the spiritual home of the Ku Klux Klan; more recently it has become a theme park with a wild west train ride and popular laser shows.
Each monumental work shows the artist taking on the attributes of a specific visual language, simultaneously paying homage to and satirising the motifs and style of the given forms.
A publication accompanies the exhibition featuring a conversation between Kara Walker and Ari Marcopoulos and a text by James Hannaham.
This production, staged for six performances between May and June , was a special project commissioned by Okwui Enwezor to coincide with the 56th Venice Biennale.
The exhibition is accompanied by a publication with texts by the artist and by Hilton Als. We are also closed on Sundays, Mondays and public holidays.
Victoria Miro does not accept unsolicited artist applications. We respect the choices you make about how you would like to hear from us.
Victoria Miro. Search Contact Cart. Selected Images. Often provocative and humorous, Kara Walker's work explores the tensions and power Gallery Exhibitions: Current and Upcoming.
Please check back for details of online booking. Chantal Joffe brings a combination of insight and integrity, as well Victoria Miro Gallery I.
Book your visit here. Her large-scale works, which are meticulously Victoria Miro Gallery II. Victoria Miro on Vortic. New work by Grayson Perry, including ceramics, a tapestry and a large-scale print, are inspired Inspired by a residency with the gallery in Venice, these new works Victoria Miro Venice.
Site by Artlogic. How come no gallery will show the work in the south? Where did the impulse to make the cut-out murals come from originally?
I think it goes back to when I first got to graduate school. I was I was writing on a typewriter in an open studio. A friend later called those my Unabomber writings.
It was a release that was very real, disruptive and secretive. I think the cut paper has that same quality. At any one moment I felt like 13 different characters piecing themselves together.
The feeling I was left with was that it was probably my job to gather all those pieces back into one room. They were all pieces of me and they were unruly.
There is a stream of consciousness thing that happens when I do the cut paper pieces. I am making the piece here in the gallery for that reason.
I was asked to go and look at this factory and see what I could do. I mean, in retrospect, making that piece was extremely pleasurable but it took me a long time to work out how to use that space.
It was frigging colossal and it stank of molasses.
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